Please use this identifier to cite or link to this item:
http://repositorio.ugto.mx/handle/20.500.12059/4685
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DC Field | Value | Language |
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dc.rights.license | http://creativecommons.org/licenses/by-nc-nd/4.0 | es_MX |
dc.creator | María Alejandra Gutiérrez Correa | - |
dc.date.accessioned | 2021-04-27T15:52:13Z | - |
dc.date.available | 2021-04-27T15:52:13Z | - |
dc.date.issued | 2017-12-30 | - |
dc.identifier.uri | http://repositorio.ugto.mx/handle/20.500.12059/4685 | - |
dc.description.abstract | El genio es un concepto en la obra Crítica de la facultad de juzgar de Kant, a partir de allí será una figura presente en los pensadores y artistas posteriores. Mediante un análisis histórico-filosófico se rastrean las transformaciones del concepto hasta la época del arte virtual. En sucesivas etapas, el concepto, que inicialmente pertenecía al sujeto, termina siendo un adjetivo del objeto artístico. Encontramos que en tal desarrollo histórico no se puede ya referir el genio sino la genialidad, quedando pendiente describir y explorar su naturaleza y características | es_MX |
dc.language.iso | spa | es_MX |
dc.publisher | Universidad de Guanajuato | es_MX |
dc.relation | http://www.jovenesenlaciencia.ugto.mx/index.php/jovenesenlaciencia/article/view/2148 | - |
dc.rights | info:eu-repo/semantics/openAccess | es_MX |
dc.source | Jóvenes en la Ciencia: Verano de la Investigación Científica. Vol. 3, Num 2 (2017) | es_MX |
dc.title | El genio: panorama histórico de Kant al arte virtual | es_MX |
dc.type | info:eu-repo/semantics/article | es_MX |
dc.subject.cti | info:eu-repo/classification/cti/4 | es_MX |
dc.subject.keywords | Estética | es_MX |
dc.subject.keywords | Immanuel Kant, 1724-1804 - Crítica e interpretación | es_MX |
dc.subject.keywords | Genio | es_MX |
dc.subject.keywords | Genialidad | es_MX |
dc.subject.keywords | Arte virtual | es_MX |
dc.type.version | info:eu-repo/semantics/publishedVersion | es_MX |
dc.creator.two | Benjamín Valdivia | - |
dc.description.abstractEnglish | Geniusis a concept from Kant’s "Critique of the Power of Judgment". This concept will be a figure present in subsequent artists and thinkers. By means of a historical-philosophical analysis, here is traced the transformation path of this concept until the age of virtual art. If concept was initially applied to the subject, it results at the end as an adjective for the artistic object. Along such historic development, we cannot longer understand a strong category of genius, but a mere reference of geniality (cool-ity) applied to objects, remaining to describe and explore both nature and characteristics of it | - |
Appears in Collections: | Revista Jóvenes en la Ciencia |
Files in This Item:
File | Description | Size | Format | |
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El genio panorama histórico de Kant al arte virtual.pdf | 376.72 kB | Adobe PDF | View/Open |
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